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Showing 217–228 of 246 results

  • Fishing Cove 2 – Naomi Brotherton


    Fishing Cove 2

    14 x 21 Unframed


    As a native of East Texas, I knew many good fishing holes. The ponds, lakes or rivers were always surrounded with trees. This is no particular spot, but a chance to paint our precious trees which provide our oxygen. And our craft awaits our boarding. Let’s go fishing!

  • Close the Gate Please – Naomi Brotherton


    Close the Gate Please

    14 x 19 Unframed


    As we drive across country, we know the long rows of trees designate a fence line where bird droppings started the growth many years before. Those fence rows have been my subject many times. In this case visitors could locate the gate because of the two tall trees.

  • Careful, Don’t Touch – Naomi Brotherton


    Careful, Don’t Touch

    14 x 21 Unframed


    Inspired by the rough character of the subject, the watercolor paper was textured with small pieces of various rice papers which made it appear to have a low relief sculptural surface. For contrast the space behind the cactus was left without the texture. All materials used are archival.

  • Canyon Land – Naomi Brotherton


    Canyon Land

    30 x 33 Framed



    After a painting trip to the Canyons in the Rockies, this collage took form from a couple of paintings that I considered dispensable, capturing the depth of that terrain in a different way but still watercolor and paper.

  • Alpine Waterfall – Naomi Brotherton


    Alpine Waterfall

    30 x 22″

    Framed Watercolor

    While painting in Switzerland, I became interested in the anatomy of the waterfalls. Rock formations trap the water as it falls from above, a pool forms and the water seeks an exit between the rocks, hence another waterfall. In the tall mountains, this pattern may be repeated many times before reaching the lake or stream at the bottom.

  • La Casa with Dry Rock Walls – Naomi Brotherton


    La Casa with Dry Rock Walls

    14 x 21

    Unframed Watercolor

    In Mexico I was fascinated by the strong rock walls with no mortar to hold them together, a hand-craft which is fast becoming a lost art. I also became interested in the way light of the warm earth colors bounced up into the shadows.

  • Foxes in the Snow – Naomi Brotherton


    Foxes in the Snow

    14 x 21

    Unframed Watercolor

    The snow scene was finished and signed long before I decided to give it life with the playful foxes inhabiting the area.

  • Cocktail Hour – Naomi Brotherton


    Cocktail Hour

    18 x 21

    Unframed Watercolor

    Having discovered this scene right at dusk one evening in New Braunfels, Texas, I was still painting on the spot when darkness claimed a stopping time. Once the basics are established, the finishing can be done by memory or knowledge of what might occur.

  • Beacon with Rough Sea – Naomi Brotherton


    Beacon with Rough Sea

    14 x 21

    Unframed Watercolor

    I used my memory of the typical rocks, water and light houses seen on both east and west coastlines of the USA in capturing this painting.

  • Predator’s Perch – Cherie Giddens


    Predator’s Perch

    Framed 37 x 26″


    I chose the American Kestrel as my subject because of the beautiful feathers. This predator’s natural coloring, a camouflage in the bird’s habitat, portrays God’s wisdom for each of His creatures; Each perfectly suited to their task.

  • Follow Me – Rosemary Achelpohl


    Follow Me

    Framed 21 x 27″


    Walking in the woods, the trees are silent, yet present to you.

  • Irish Cottage, Ballyvaughan – Jill Danahey


    Irish Cottage, Ballyvaughan

    21 x 28 Framed

    Watercolor & Gouache

    While on a painting trip to Ireland, I used watercolor to render this thatch roof cottage at low tide in Ballybaughn. The inlet below the wall had layers of water, stones, seaweed and grasses that create horizontal layers of color and texture, my favorite part of this painting. Again, gouache help to give emphasis to the lights.